‘I can’t wait to see what the London Art Salon is offering next.’
‘I met my partner at the London Art Salon.’
‘The London Art Salon has become a part of our social calendar now.’
‘I feel clued-up whenever I leave a London Art Salon event.’
‘The venues are quirky and the talks addictive.’
‘They always surprise me, just a little. I am happy to be included in the London Art Salon community.’
‘That event was lively, fun, … had some surprises and was filled with a great group of people.’
‘It was great being able to swish into those intimidating galleries under your wing!’
‘It really was a great voyage of discovery. So interesting. A city within a city!’
The area around King's Cross has been transformed from an under-utilized dark streets and industrial spaces to a thriving cultural, retail, residential and educational centre. We started by examining the the Victorian engineering which created King's Cross and St Pancras stations and then went north to the amazing urban project that is London's newest and most inspiring ‘it’ neighbourhood.
On this morning tour with the charming and knowledgeable Blue Badge guide Gavin Webb we discovered the romantic tales of King’s Cross and St Pancras train stations, from early engineering feats to today’s cluster of upscale ‘foody’ restaurants, edgy art spaces and gentrified canal walks.
Our guests wrote: "It really was a great voyage of discovery. So interesting. A city within a city. Looking forward to the next outing with you!"
"A huge thankyou for fabulous tour around King’s Cross yesterday. My friend and I thoroughly enjoyed your presentation, time management and quirky anecdotes."
Taking the V&A’s exhibition Pink Floyd: Their Mortal Remains as the starting point, fashion historian Amber Butchart looked at the close relationship between countercultural music, style and politics in the 1960s and 70s.
Looking at various subcultural movements of the post-war era, Amber tracked the styles of the street and stage that became catwalk staples, considering ‘resistance’ in dress, the ‘peacock revolution’, new modes of shopping, and the long legacy of subculture and street style that has formed an invaluable backstory to the fashion industry of today.
Race, gender politics, war and a financial crash… It could be today’s news, but these were the themes of the 2017 blockbuster show at the British Museum American Dream: pop to the present.
We heard some of the back stories to the exhibition as author Marie-Ann Mancio explored five decades of America’s most iconic artists from pop legends Andy Warhol and Roy Lichtenstein, to individualists Robert Rauschenberg and Jasper Johns, through today’s newsmakers Kara Walker and Julie Mehretu.
Avant-garde painter, designer, decorator, inspired colourist, mother and muse, Vanessa Bell was the warm heart of the Bloomsbury Group, a set who Dorothy Parker once described as “living in squares and loving in triangles”.
Navigating the tides of sexual and artistic revolution with tolerance, irreverence and wit she had a central role in the social and aesthetic life of Bloomsbury; alive to their love affairs, romances, passions and pleasures, and refreshingly uninterested in politics. She was the sister of the writer Virginia Woolf, wife of the critic Clive Bell, and counted the painter Roger Fry and the artist Duncan Grant among her lovers.
Her Bloomsbury Group connections and their associated scandals have perhaps lessened the fame of her work - in this morning lecture art historian Julia Musgrave asked: was Vanessa Bell the painter as radical as Virginia Woolf the writer?
A century after the 1917 October Revolution, this turning point in Russian history remains a major event in modern consciousness.
In her exciting talk, the curator of the upcoming Royal Academy landmark exhibition Revolution: Russian Art 1917 – 1932, Dr. Natalia Murray, looked at the role of art in a classless society without an art market. Against the background of Russian Modernists Chagall, Kandinsky and Malevich, she considered the question: was art useful for the socialist revolution or was the revolution useful for art?
As luxury fashion boutiques and rising rents push galleries out of Mayfair, Fitzrovia is one of several areas to benefit. There are now many respected galleries north of Oxford street, with a particular focus on international dealers and artists. Art historian Ali Cohen took us on a gallery crawl of the area to see what contemporary artists are creating, including art from Russia and Africa.
Only Picasso is as famous for changing lovers as often as he changed his painting style. Author and art historian Patrick Bade took us through Picasso’s portrait styles; from friends to mistresses, from muses to great art.
A morning visit to some Mayfair-based contemporary art galleries with Ali Cohen to see and experience what was on show.
Guest feedback: ‘It was great being able to swish into those intimidating galleries under your wing!'
Caravaggio's paintings inspired many artists during his lifetime and would go on to influence many more, from Orazio Gentileschi to Peter Paul Rubens, Gerard van Honthorst and Rembrandt. Each absorbed a different aspect of his work. His style spread across Europe and gave rise to the international movement known as ‘Caravaggism’.
Yet for many, Michelangelo Merisi da Caravaggio is famed as much for his art as for his criminal record. Was it the violence of his times or his own violent spirit that inspired the dramatic lighting and intense naturalism of his work? Art historian Julia Musgrave took us through the dramatic incidents of the artist's life and why his influence spread so far.
Their paintings command hundreds of millions of pounds at auction, their exhibitions have queues of hundreds of visitors at museums, and they were unwitting propaganda tools of the CIA. Jackson Pollock, Mark Rothko, Willem de Kooning - who were these bad boys of Abstract Expressionism?
In time for the Abstract Expressionism show opening at the RA we joined art historian and writer Marie-Anne Mancio to find out.
What are the essential things to know when looking at contemporary art, visiting galleries and art fairs, and discussing new works?
Frieze London is one of the world's leading contemporary art fairs, bringing art from around the globe to a purpose-built tent in Regent's park for just four days. It's an occasion seized upon by art galleries, museums and private art ventures across the capital to put on exciting and innovative shows and events.
In the week preceding the biggest contemporary art event of the year, independent curator and writer Ellen Mara De Wachter revealed some of the secrets you need to know about how contemporary art works in London, and introduce the practice of some of the most exciting young artists in the city today.
Think of HIV and AIDS and you might end up feeling frustrated and powerless. Our speaker, artist and curator John Walter recognizes that these feelings do not help people engage or empathise with what remains a challenging societal crisis.
Set against his recent large-scale installation Alien Sex Club, John employs humour, colour and hospitality to generate new avenues of discussion. Also explored are the work of artists Felix Gonzalez-Torres, Keith Haring, Elmgreen & Dragset.
This lively talk looked at how different aesthetic approaches such as activism and cruising have responded to subjects no one really wants to talk about. Can art free up the conversation?
The Saatchi Gallery show Exhibitionism: Rolling Stones opened April 2016. Taking over the entire two floors of the Saatchi Gallery with 9 thematic galleries, EXHIBITIONISM combines over 500 original Stones' artefacts, with striking cinematic and interactive technologies offering the most comprehensive and immersive insight into the band's fascinating fifty year history.
The London Art Salon invited Tate Modern’s Linda Casey to celebrate the rock and roll Hall of Famers with an evening talk about the personalities, album covers, and tales surrounding Britain’s favourite rockers.
One guest wrote: "Linda was an amazing speaker, so funny and engaging."
“From a Botticelli-themed dress by Dolce and Gabbana that Lady Gaga wore for her Artpop tour, to a clip of Ursula Andress emerging like Botticelli’s Venus from the waves in the 1962 Bond film Dr No, this bold exploration of a great artist’s afterlives trawls far and wide through popular culture.” said The Guardian, about the exhibit Botticelli Reimagined, at the V&A in 2016.
Christie’s art historian Andrew Spira explored the disppearence and rediscovery of Renaissance genius Sandro Botticelli and his influence on the artists that re-discovered him in the 19th and 20th century.
Romantic painter Eugène Delacroix may have shocked the 19th century art world with his harem massacre scene Death of Sardanapalus, but many subsequent artists appreciated his swift brush strokes, swirling colours and taste for the exotic.
In this morning talk author, art historian and raconteur Patrick Bade pulled the links together to help us understand just why Delacroix was such an influence on Degas, Gauguin, Vincent van Gogh and Matisse, and many others.
In this morning event Christie's dress historian Jacqui Ansell helped us consider h our favourite objects of desire from an art historical point of view. It was a great chance to get more out of a visit to the V&A exhibit Shoes: Pleasure and Pain.
The V&A exhibition looked at the extremes of footwear from around the globe, presenting around 200 pairs of shoes ranging from a sandal decorated in pure gold leaf originating from ancient Egypt to the most elaborate designs by contemporary makers. Examples from famous shoe wearers and collectors will be shown alongside a dazzling range of historic shoes, many of which have not been displayed before.
While 'the selfie' is being billed as a massive contemporary phenomenon, photographers did not wait for the invention of digital smart phones or selfie sticks in order to turn the camera on themselves.
In this morning event, artist and National Gallery lecturer Aliki Braine explored the invention and rise of self-portraiture from humble beginnings as hidden painted faces to the obsessive documenting and displaying of our own digital images.
Art market, art crime, and sculpture historian Dr Tom Flynn will be discussing aspects of public sculpture and its susceptibility to theft and other forms of abuse.
In time for upcoming London sculpture shows — Barbara Hepworth and Alexander Calder at the Tate, and Henry Moore and Helaine Blumenfeld at Bowman Sculpture in Duke Street — he will explore how and why sculpture is enjoying an extraordinary revival of public interest.
"What fun to meet and chat with your Art Salon attendees. Lots of interesting exchanges and learning too. Had a fascinating and illuminating chat with Tom Flynn before the presentation, which was a bonus."
Rubens has been celebrated and castigated as the supreme painter of voluptuous female flesh, but the Royal Academy 'Rubens and His Legacy' show attempted to demonstrate how Rubens superbly confident mastery of paint made him the "painter's painter", a masterly technician who inspired painters from his own age until ours, including Watteau, Fragonard, Delacroix and Renoir.
A painter of portraits, religious works, narrative paintings and dynastic propoganda, Rubens was the most successful artist of his age. To give a clichéd response to his generously-apportioned ladies is to seriously under-estimate the power of his work. In this salon, Patrick Bade explained why.
'I just loved Patrick's stories and anecdotes. This was so much more insightful than what I typically learn at exhibitions.'
Julia Musgrave uses humour and story-telling to bring Hogarth's Marriage à la Mode and his other 'modern moral subjects' to life, explaining how the artist waged war against London's sex trade and child poverty as part of his personal crusade to establish modern urban life as an appropriate subject for high art
By taking a thoughtful look at life in London in the eighteenth century, we will see how these works came to be commissioned, how Hogarth's contemporaries would have understood them, and discover the many reasons why they remain popular today.
"A very dark period of London history was illuminated by Julia – a hugely informative tour of Hogarth's pictures and of London. She was able to bring out some unexpected humour in that savage world."
"'I loved the Salon....it was so interesting ....the talk was perfect.'
At this evening event, Christie’s art and costume historian Jacqui Ansell takes a new approach to understanding the genius of Rembrandt by exploring the culture and fashion of Rembrandt’s world. In the post-Reformation society in which he lived the avoidance of obvious extravagance meant displays of status had to be subtle, recondite knowledge was prized and many things were not what they first appeared to be…
"We loved the lecture!"
"Who would have thought Rembrandt's 'Flora' had such a dark secret?"
(The National Gallery’s autumn blockbuster show ‘Rembrandt: The Late Works’ opened October 15th 2014.)
In this morning event, art historian and author Dr Marie-Anne Mancio discusses the German contemporary art auction-house ‘darlings’ – Gerhard Richter, Sigmar Polke, and Anselm Kiefer – as background to the forthcoming Royal Academy and Tate Modern shows this autumn.
These three artists came of age in postwar Germany and used their art to scrutinize the cultural upheavals of the Holocaust, Communism, and the later rise of consumerism and popular media.
"The November salon on German painters was fabulous!"
'Thank you for the talk recently on the 3 German post war artisits, Kiefer, Polke and Richter. I found it illuminating and am looking forward to next time.'
The Royal Academy: Anselm Kiefer Retrospective (27 September — 14 December 2014)
Tate Modern: Alibis: Sigmar Polke 1963–2010 (9 October 2014 – 8 February 2015)
BBC art critic Estelle Lovatt talked us through some of the places where British contemporary artists get their ideas from. In this evening event, she explored the relevance and motivations behind today’s art in an illustrated talk that included a take on a certain unmade bed and a shelf of medications as exercises in self portraits.
"The whole occasion had a really nice feeling about it…you have created a series of fun and interesting sessions!"
"Last night's talk was very well organised and informative. The speaker was clearly a genius on the topic. What a delight to listen to her make order out of a world that to right brained people like me seems utterly chaotic and incomprehensible."
Artist and National Gallery lecturer Aliki Braine explored portrait photography: from the stilted poses of early daguerreotype portraits to today's obsessive capturing of 'selfies'.
In our morning session she took us through the 19th century craze of ‘cartes de visite’ and the more problematic portraits of criminals by Alphonse Bertillon. We looked at the 20th century celebrity and fashion portraits of Robert Mapplethorpe and David Bailey and finished off with the questions raised by the mock passport portraits of Thomas Ruff.
"The speaker was engaging, informative and she really made me look at the works in a new light. I adored it!"
We sometimes feel ‘blue’, environmentalists are ‘green’ and ‘red hot’ is sexy as well as dangerous. Why do colours have such strong emotive power?
Spike Bucklow has researched the origins of paint pigments and believes their history goes a long way to explain their effect on us. Not only where they came from, but also the complex alchemical processes necessary to make them meant that an artist’s choice of colours in medieval and renaissance Europe was much more than just an aesthetic statement.
Up to the seventeenth century, the pigments themselves could add sophisticated layers of meaning to paintings; and up to and including the nineteenth century, artists’ pigments were valued for more than just their colour.
In this session, Spike helped us to discover how certain pigments became key players in the history of art – and how the colours we see now might not be what the artist intended.
In our first evening salon, passionate scholar Andrew Spira explored the life and works of Kazimir Malevich, the early 20th-century Russian painter who discovered abstraction in his search for spiritual freedom.
Malevich's paintings of geometric shapes emphasised surface and materiality rather than subject matter, creating a new visual language for the world. The session gave an excellent introduction to Tate Modern's 2014 Malevich retrospective.
"I wanted to say how much I loved the art salon! What a lovely, enjoyable, scintillating evening."
During the final chapter in the career of modernist painter Henri Matisse, the artist produced a blaze of works containing sculptural and luminous shapes of paper cut-outs.
Eveline Eaton discussed the creative virtuosity of Matisse during his last years as background to the 2014 Henri Matisse: the Cut-outs show at the Tate Modern.
From the 5th century in Asia through till today, print has been a powerful medium for communicating the art and customs of a culture. Prints are well-recognized in the art world as the best entry point to art collecting; a print can have the same ability to dazzle and awe as a painting. However, the subtleties of this art form are sometimes tricky for a novice to spot.
With magnifying glasses, and samples of her own and others' work, Gilly Hatch revealed the differences among Lithographs, Woodcuts, Etchings, and Engravings in a lecture / hands-on session.
With clever and satirical allusions to film and television, interspersed with visual statements about consumerism and politics, popular culture infuses the work of Richard Hamilton, the father of pop art.
Ben Street examined the innovation and wit of British 20th-century artist Richard Hamilton prior to the 2014 Richard Hamilton retrospective at Tate Modern.
"...it was fascinating!!! I was completely engrossed!!! Ben was so engaging, very informative! "
The vibrant colours and dynamic brush strokes of Renaissance Venetian art are appreciated today by throngs of crowds, whether at the Louvre, National Gallery, or the Met.
Dr Marie-Anne Mancio discussed the drama and genius of Venetian artist Paolo Veronese prior to the 2014 Veronese: Magnificence in Renaissance Venice exhibit at the National Gallery.
"The speaker was fantastic: engaging, funny, informative and able to convey such a vast amount of information without referring to any notes - impressive!"
In the 16th and early 17th centuries you were what you wore - your status, your loyalties and even your loves were in full view for those who knew how to read the signs. Join Jacqui Ansell took us on a fascinating evening tour of the National Portrait Gallery.
My Wife Bibi in the Bathroom and other stories - how family snap-shots became grand narrative museum pictures.
Aliki Braine explored the wonders of narrative photography tracing the relationship between history painting and photography and looking at how ordinary personal images became works of art on museum walls. The work of photographers Julia Margaret Cameron, Jacque-Henri Lartigue, Jeff Wall, and Richard Billingham were discussed.
"The speaker had such enthusiasm - it was more like an amazing conversation rather than stuffy lecture."